Directing & Producing

A documentary I co-directed and served as editing advisor on, following Matt Armbruster — who, after participants at his legendary Big Wheel Rally kept asking where to find adult-sized trikes, quit his aerospace job to build them himself. Fueled by speed, childhood joy, and power slides that leave your heart racing, this ride is anything but ordinary. From starry skies to slick streets, he navigates challenges with laughter, love, and a wild sense of purpose, reinventing play for grown-ups. The film is currently in the 2026 Film Festival Circuit and had its debut at the Castle Rock Film Festival in Colorado. 

A documentary I co-directed and edited, offering a rare backstage look at Saturday Night Live's 1983–1988 era through the eyes of Eileen O'Brien, the show's sole female cue card holder. Her stories — working alongside Eddie Murphy, Robin Williams, and Christopher Reeve — celebrate an unsung trailblazer behind a television institution. Premiered at the 2023 Denver Film Festival.

A short horror film I wrote, directed, and self-funded, which is a fan project set within the Alien universe, told in an analog horror format. This was also my first time producing animation, experimenting with the format to bring a new visual style to the franchise's world.

A producer on Man O' War, the story of the tall ship Perseverance sailing into the Bay of Thoughts, a route no crew has survived. The captain and his crew are all played by the same actor, representing the conflicting facets of one mind: confidence, fear, doubt, and perseverance. As producer, I helped drive a production built on classic filmmaking craft, including miniature ship work, rear projection, and green screen compositing. This combination of practical effects and modern technique brought a surreal, physically real world to the story. Working with a strict budget of £2,500, I helped lead a crowdfunding campaign that raised an additional £1,500 from 31 supporters to bring the production to life, with an additional day of green-screen shooting. The film is now in the editing phase.

 A documentary segment I filmed as cinematographer and edited, created for Qisetna, an organisation preserving the cultural and oral heritage of communities affected by conflict and displacement. The segment follows poet Khaled Alesmael and is part of Qisetna's wider mission to connect young people who have left their home countries and help them reclaim their cultural identity through storytelling. 

A short drama I produced, working within a tight £2,500 budget. My role covered the full logistical backbone of the production — sourcing and managing props, organizing crew and equipment, and handling budgeting and communication with the cast throughout the shoot.